All of these materials that are stuck there are really interfering with the ability to look at the brushwork and really the appreciate the variation and the beauty of Van Gogh’s strokes because it’s covered with gunk.SUPER: Before, After SUPER: #mfa Conservation END GRAPHIC: Graphic: mfa Boston GRAPHIC: Museum of Fine Arts, Boston Bank of America Art Conservation Project 2015 Grant Recipient Lydia Vagts: The process of removing the varnish is complicated by the fact that the painting has probably been treated more than once, so we also find on the surface residues of an earlier varnish.Her online show, The Speaker MC Show explores how we relate to ourselves, our environment and each other.Her approach stresses how to merge current automation market trends with grassroots relationship marketing to create an optimal customer experience.Talk about “Art as Experience,” the title of John Dewey’s 1934 contrarian take on aesthetics, which now looks way ahead of its time.
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Having worked with Bank of America, Merrill Lynch, on the great exhibition of Louis and Freud's portraits a few years ago, we were delighted that the bank has now made it possible to help us through that conservation program.
And for us therefore to be able to undertake this rather particular program of conservation on some of the Tudor portraits.
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